Well I'll be damned. For two months, I had nothing to post on my blog. Not because hardly anybody reads blogs anymore but because I have writers block, that and I work at retail now.
Why did I decide to write a post about writing in Cartoons? Because of that goddamn Writers Strike that happened in May 2. Apparently the writers are pissed off about not getting compensated enough for their work and Hollywood refusing their demands for higher pay. That as well as the rise of AI tools taking over the writing, the art.... whatever. Bottom-line is that this has not been good for anybody....
Anyway. Rant over, on to the main topic at hand.
It sets a template for how the cartoon should look as well as provide a thematic story for it.
This has actually been important for Cartoons since the beginning of medium.
But really it's prominence, at last to my theory, was more or less spurred by the cheapening of cartoons of the 1960s when Hanna-Barbera become prominent thanks to The Flintstones.
But with corners cut, they needed something that will help the animation stand out and that's the writing. And the voice acting.
Quite the trade-offs.
But yeah, the with animation now being limited to model sheets, pose charts, tracing, layered cels, etc. the both the writing and the voice acting were more important than ever.
But suddenly, there comes the pressure. Since the animation budget has been cut, really good writing is more important than ever. And pressure not only comes from the studio but also from fandom as well.
Failure of great writing is not tolerated which explains the above image of Michael from HEAVY TRAFFIC holding a pipe for example....
Or even better, this image of Roger Meyers Jr. from the Simpsons who's about to throw his nameplate at a Harvard Writer.Why am I writing analogies about how fandom perceives perfect writing? It's two-fold: